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GIRLMACHINE is an investigation of Futurism’s ambiguous vitality and its complex relationship to the modern body, exploring notions of masculine identity and mechanized erotics.
In a hybrid performance of art and magic, Los Angeles-based artist Glenn Kaino collaborates with renowned magician Ryan Majestic in an awe-inspiring interrogation of what is and isn’t believable: a question at the heart of both age-old traditions.
Two mini-lectures by two experts in the Futurist avant-garde composer, performer, and musicologist Luciano Chessa, who is a leading intonarumori (Futurist noise machine) scholar, and York University professor John Picchione, who has extensive knowledge of Futurist film, literature and poetry.
A evening of Polish Futurist theater, art, and manifestos with staged excerpts from Bruno Jasiénski’s avant-garde play Mannequin’s Ball (1930).